{"id":5365,"date":"2023-05-25T12:25:19","date_gmt":"2023-05-25T10:25:19","guid":{"rendered":"http:\/\/bollettinodarte.cultura.gov.it\/?page_id=5365"},"modified":"2025-02-17T12:29:13","modified_gmt":"2025-02-17T11:29:13","slug":"candido-de-la-cruz-alcaniz-jorge-garcia-sanchez-laccademia-romana-di-francisco-preciado-de-la-vega-in-piazza-barberini-e-gli-artisti-spagnoli-del-settecento-estratto-dal-fasc-i-serie-vi","status":"publish","type":"page","link":"https:\/\/bollettinodarte.cultura.gov.it\/?page_id=5365","title":{"rendered":"C\u00e1ndido de la Cruz Alca\u00f1iz, Jorge Garc\u00eda S\u00e1nchez: L\u2019accademia romana di Francisco Preciado de la Vega in piazza Barberini e gli artisti spagnoli del Settecento"},"content":{"rendered":"
\n

Estratto dal fascicolo 1 (gennaio-marzo 2009)<\/strong><\/p>\n

<\/div>\n
Con questo articolo relativo al pittore sivigliano Francisco Preciado de la Vega (1712-1789) si vuole approfondire la conoscenza della sua personalit\u00e0 come docente, oltre ad analizzare l\u2019ambiente accademico vissuto dai suoi discepoli spagnoli in Italia, la cui attivit\u00e0 artistica egli diresse. L\u2019analisi della figura di Preciado ha svelato diversi aspetti della sua opera di gran rilevanza, ma soprattutto apportato notizie di particolare ricchezza sull\u2019ambiente artistico romano della seconda met\u00e0 del XVIII secolo. L\u2019apprezzamento di Roma da parte degli accademici spagnoli gir\u00f2 intorno all\u2019ammirazione e venerazione che sentivano verso la sua enorme cultura artistica. Dalla\u00a0Real Academia de San Fernando<\/em>\u00a0di Madrid si concederono pensioni con la finalit\u00e0 di formare artisti nell\u2019Urbe, affinch\u00e9 potessero contribuire alla gloria artistica nazionale. Grazie alla sua ampia esperienza, in 1758 Francisco Preciado de la Vega si fece carico della loro direzione, incominciando in un certo modo il primo centro artistico ispano all\u2019estero. Preciado aveva mantenuto previamente un\u2019accademia particolare presso casa sua, dove da allora accolse ugualmente ai pensionati spagnoli, i quali si stanziarono attorno al loro maestro in un\u2019area di Roma molto precissa, la Piazza Barberini.<\/div>\n
<\/div>\n
\n

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The Roman Academy of Francisco Preciado de la Vega in Piazza Barberini
\nand eighteenth-century Spanish artists in Rome<\/strong><\/div>\n
\n
The article is devoted to the painter from Seville, Francisco Preciado de la Vega (1712-1789). Its aim is to deepen knowledge of his personality, especially as teacher, and to analyze the academic ambience experienced by his Spanish disciples in Italy, whose artistic activities he directed. Analysis of Preciado\u2019s career as artist and teacher has revealed various aspects of his work of great importance, but has especially contributed new findings of particular richness about the artistic scene in Rome in the second half of the eighteenth century. Appreciation of Rome by Spanish academicians revolved around the admiration and veneration they felt for the city\u2019s enormous artistic culture. The Real Academia de San Fernando in Madrid granted bursaries aimed at training artists in Rome, so that they could fittingly contribute to the national artistic glory. Thanks to his wide experience, Francisco Preciado de la Vega assumed responsibility for their supervision in 1758. He thus began what was in some sense the first Spanish school of art abroad. Preciado had hitherto maintained a private academy in his own house. He now received the budding Spanish artists who had received bursaries from the Real Academia and who had settled round their master in a very precise area of Rome, the Piazza Barberini.<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Estratto dal fascicolo 1 (gennaio-marzo 2009) Con questo articolo relativo al pittore sivigliano Francisco Preciado de la Vega (1712-1789) si vuole approfondire la conoscenza della sua personalit\u00e0 come docente, oltre ad analizzare l\u2019ambiente accademico vissuto dai suoi discepoli spagnoli in Italia, la cui attivit\u00e0 artistica egli diresse.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-5365","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/pages\/5365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5365"}],"version-history":[{"count":8,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/pages\/5365\/revisions"}],"predecessor-version":[{"id":13698,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/pages\/5365\/revisions\/13698"}],"wp:attachment":[{"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}