{"id":3662,"date":"2023-04-20T12:01:50","date_gmt":"2023-04-20T10:01:50","guid":{"rendered":"http:\/\/bollettinodarte.cultura.gov.it\/?p=3662"},"modified":"2023-09-13T14:39:33","modified_gmt":"2023-09-13T12:39:33","slug":"la-dea-di-sibari-e-il-santuario-ritrovato-studi-sui-rinvenimenti-dal-timpone-motta-di-francavilla-marittima-i-1-ceramiche-di-importazione-di-produzione-coloniale-e-indigena-tomo-1-2006","status":"publish","type":"post","link":"https:\/\/bollettinodarte.cultura.gov.it\/?p=3662","title":{"rendered":"2006 – La Dea di Sibari e il Santuario ritrovato. Studi sui rinvenimenti dal Timpone Motta di Francavilla Marittima. I.1. Ceramiche di importazione, di produzione coloniale e indigena – Tomo 1"},"content":{"rendered":"

Prefazione\u00a0di Giuseppe Proietti\u00a0\u00a0\u00a0VII<\/strong><\/p>\n

Frederike van der Wielen\u2013van Ommeren: Introduzione\u00a0\u00a0 1<\/strong><\/p>\n

Lucilla De Lachenal: Francavilla Marittima. Per una storia degli studi\u00a0\u00a0 16<\/strong><\/p>\n

 <\/p>\n

CATALOGO<\/p>\n

I. CERAMICA PROTOCORINZIA E CORINZIA
\ndi Frederike van der Wielen\u2013van Ommeren, Nina Mekacher e Jette Christiansen Premessa\u00a0(F.W. e N.M.)\u00a0\u00a0\u00a085
\n<\/strong><\/p>\n

 <\/p>\n

1. Aryballoi\u00a0(N.M. e J.C.)\u00a0\u00a0\u00a091
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 1A. Aryballoi ovoidali e piriformi\u00a0\u00a0\u00a091
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 1B. Piccoli aryballoi globulari\u00a0 \u00a0100
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 1C. Grandi aryballoi globulari\u00a0\u00a0 109
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 1D. Aryballoi ad anello\u00a0 \u00a0112
\n<\/strong><\/p>\n

 <\/p>\n

2. Alabastra (N.M. e J.C.)\u00a0\u00a0\u00a0115
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 2A. Piccoli alabastra\u00a0 \u00a0115
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 2B. Piccolo alabastron con piede ad anello\u00a0\u00a0\u00a0121
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 2C. Grandi alabastra\u00a0 \u00a0122
\n<\/strong><\/p>\n

 <\/p>\n

3. Pissidi (N.M. e J.C.)\u00a0 \u00a0125
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3A. Pissidi alte\u00a0 \u00a0125
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3B. Pissidi a pareti diritte e a pareti concave\u00a0 \u00a0127
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3C. Pissidi a kalathos\u00a0 \u00a0139
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3D. Pissidi\u2013kotylai\u00a0 \u00a0140
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3E. Pissidi a pareti convesse\u00a0\u00a0\u00a0142
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3F. Pissidi a tre piedi\u00a0 \u00a0145
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3G. Powder\u2013pyxides\u00a0 \u00a0146
\n<\/strong><\/p>\n

 <\/p>\n

4. Coperchi di pissidi (N.M. e J.C.)\u00a0\u00a0\u00a0153
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 4A. Coperchi piatti\u00a0 \u00a0153
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 4B. Coperchi con bordo ripiegato\u00a0\u00a0\u00a0167
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 4C. Coperchi fortemente convessi\u00a0\u00a0\u00a0171
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 4D. Pomelli conservati separatamente\u00a0 \u00a0172
\n<\/strong><\/p>\n

 <\/p>\n

5. Oinochoai (F.W. e J.C.)\u00a0\u00a0\u00a0175
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 5A. Lekythoi coniche\u00a0 \u00a0175
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 5B. Oinochoai a fondo piatto\u00a0\u00a0\u00a0196
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 5C. Oinochoai a piede stretto\u00a0\u00a0\u00a0207
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 5D. Olpai\u00a0 \u00a0210
\n<\/strong><\/p>\n

 <\/p>\n

6. Anfore\u00a0(F.W.)\u00a0\u00a0\u00a0211
\n<\/strong><\/p>\n

7. Amphoriskoi (F.W.)\u00a0 \u00a0214
\n<\/strong><\/p>\n

8. Hydriskos (F.W.)\u00a0\u00a0\u00a0218
\n<\/strong><\/p>\n

9. Bottiglie (F.W.)\u00a0 \u00a0218
\n<\/strong><\/p>\n

10. Crateri (F.W.)\u00a0 \u00a0219
\n<\/strong><\/p>\n

11. Kyathoi (F.W.)\u00a0\u00a0\u00a0221
\n<\/strong><\/p>\n

12. Kotylai (F.W.)\u00a0 \u00a0222
\n<\/strong><\/p>\n

 <\/p>\n

13. Coppe\u00a0(F.W. e J.C.)\u00a0\u00a0\u00a0242
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 Gruppo I: Skyphoi della classe di Thapsos\u00a0\u00a0\u00a0242
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 Gruppo II: Coppe protocorinzie\u00a0 \u00a0245
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 Gruppo III: Coppe miniaturistiche senza orlo\u00a0 \u00a0253
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 Gruppo IV: Coppe (cd. uccelli) con orlo distinto e decorazione figurata\u00a0 \u00a0254
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Appendice di Alan w. Johnston\u00a0\u00a0\u00a0255
\n<\/strong><\/p>\n

 <\/p>\n

14. Phialai (F.W.)\u00a0 \u00a0256
\n<\/strong><\/p>\n

15. Piatti (F.W. e J.C.)\u00a0 \u00a0258
\n<\/strong><\/p>\n

16. Exaleiptra (F.W.)\u00a0 \u00a0264<\/strong><\/p>\n

17. Kalathiskoi\u00a0(F.W.)\u00a0\u00a0\u00a0266
\n<\/strong><\/p>\n

18. Vasi plastici (F.W.)\u00a0\u00a0\u00a0267<\/strong><\/p>\n

19. Varia (F.W.)\u00a0 \u00a0269<\/strong><\/p>\n

 <\/p>\n

II. CERAMICA ATTICA, LACONICA, PONTICA, ARGIVA MONOCROMA E AFFINE
\ndi Lilian Raselli\u2013Nydegger<\/p>\n

1. Ceramica attica\u00a0 \u00a0273<\/strong><\/p>\n

2. Ceramica laconica\u00a0\u00a0 281
\n<\/strong><\/p>\n

3. Ceramica pontica\u00a0\u00a0\u00a0283
\n<\/strong><\/p>\n

4. Ceramica argiva monocroma\u00a0 \u00a0283
\n<\/strong><\/p>\n

5. Varia\u00a0 \u00a0284<\/strong><\/p>\n

Tabula gratulationis\u00a0\u00a0\u00a0287<\/strong><\/p>\n

Abbreviazioni bibliografiche\u00a0 \u00a0289
\n<\/strong><\/p>\n

 <\/p>\n

Abstract<\/a>\u00a0\u00a0\u00a0297<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Prefazione\u00a0di Giuseppe Proietti\u00a0\u00a0\u00a0VII Frederike van der Wielen\u2013van Ommeren: Introduzione\u00a0\u00a0 1 Lucilla De Lachenal: Francavilla Marittima.<\/p>\n","protected":false},"author":1,"featured_media":10511,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1204,14],"tags":[1208,1206,1209,1207,1006,1210,1205],"class_list":["post-3662","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1204","category-volumi-speciali","tag-christiansen-jette","tag-de-lachenal-lucilla","tag-johnston-william-alan","tag-mekacher-nina","tag-proietti-giuseppe","tag-raselli-nydegger-lilian","tag-van-der-wielen-van-ommeren-frederike"],"featured_image_src":"https:\/\/bollettinodarte.cultura.gov.it\/wp-content\/uploads\/2023\/04\/15-La-dea-di-Sibari-e-il-Santuario-ritrovato-Francavilla-I.jpg","featured_image_src_square":"https:\/\/bollettinodarte.cultura.gov.it\/wp-content\/uploads\/2023\/04\/15-La-dea-di-Sibari-e-il-Santuario-ritrovato-Francavilla-I.jpg","author_info":{"display_name":"bollettinodarte","author_link":"https:\/\/bollettinodarte.cultura.gov.it\/?author=1"},"category_info":"2006<\/a>,Volumi speciali<\/a>","tags_info":"Christiansen Jette<\/a>, De Lachenal Lucilla<\/a>, Johnston William Alan<\/a>, Mekacher Nina<\/a>, Proietti Giuseppe<\/a>, Raselli\u2013Nydegger Lilian<\/a>, van der Wielen\u2013van Ommeren Frederike<\/a>","social_share_info":"<\/i><\/a><\/i><\/a>","wordExcerpt_info":"

Prefazione\u00a0di Giuseppe Proietti\u00a0\u00a0\u00a0VII<\/strong><\/p>\n

Frederike van der Wielen\u2013van Ommeren: Introduzione\u00a0\u00a0 1<\/strong><\/p>\n

Lucilla De Lachenal: Francavilla Marittima. Per una storia degli studi\u00a0\u00a0 16<\/strong><\/p>\n

 <\/p>\n

CATALOGO<\/p>\n

I. CERAMICA PROTOCORINZIA E CORINZIA
\ndi Frederike van der Wielen\u2013van Ommeren, Nina Mekacher e Jette Christiansen Premessa\u00a0(F.W. e N.M.)\u00a0\u00a0\u00a085
\n<\/strong><\/p>\n

 <\/p>\n

1. Aryballoi\u00a0(N.M. e J.C.)\u00a0\u00a0\u00a091
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 1A. Aryballoi ovoidali e piriformi\u00a0\u00a0\u00a091
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 1B. Piccoli aryballoi globulari\u00a0 \u00a0100
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 1C. Grandi aryballoi globulari\u00a0\u00a0 109
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 1D. Aryballoi ad anello\u00a0 \u00a0112
\n<\/strong><\/p>\n

 <\/p>\n

2. Alabastra (N.M. e J.C.)\u00a0\u00a0\u00a0115
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 2A. Piccoli alabastra\u00a0 \u00a0115
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 2B. Piccolo alabastron con piede ad anello\u00a0\u00a0\u00a0121
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 2C. Grandi alabastra\u00a0 \u00a0122
\n<\/strong><\/p>\n

 <\/p>\n

3. Pissidi (N.M. e J.C.)\u00a0 \u00a0125
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3A. Pissidi alte\u00a0 \u00a0125
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3B. Pissidi a pareti diritte e a pareti concave\u00a0 \u00a0127
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3C. Pissidi a kalathos\u00a0 \u00a0139
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3D. Pissidi\u2013kotylai\u00a0 \u00a0140
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3E. Pissidi a pareti convesse\u00a0\u00a0\u00a0142
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3F. Pissidi a tre piedi\u00a0 \u00a0145
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 3G. Powder\u2013pyxides\u00a0 \u00a0146
\n<\/strong><\/p>\n

 <\/p>\n

4. Coperchi di pissidi (N.M. e J.C.)\u00a0\u00a0\u00a0153
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 4A. Coperchi piatti\u00a0 \u00a0153
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 4B. Coperchi con bordo ripiegato\u00a0\u00a0\u00a0167
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 4C. Coperchi fortemente convessi\u00a0\u00a0\u00a0171
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 4D. Pomelli conservati separatamente\u00a0 \u00a0172
\n<\/strong><\/p>\n

 <\/p>\n

5. Oinochoai (F.W. e J.C.)\u00a0\u00a0\u00a0175
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 5A. Lekythoi coniche\u00a0 \u00a0175
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 5B. Oinochoai a fondo piatto\u00a0\u00a0\u00a0196
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 5C. Oinochoai a piede stretto\u00a0\u00a0\u00a0207
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 5D. Olpai\u00a0 \u00a0210
\n<\/strong><\/p>\n

 <\/p>\n

6. Anfore\u00a0(F.W.)\u00a0\u00a0\u00a0211
\n<\/strong><\/p>\n

7. Amphoriskoi (F.W.)\u00a0 \u00a0214
\n<\/strong><\/p>\n

8. Hydriskos (F.W.)\u00a0\u00a0\u00a0218
\n<\/strong><\/p>\n

9. Bottiglie (F.W.)\u00a0 \u00a0218
\n<\/strong><\/p>\n

10. Crateri (F.W.)\u00a0 \u00a0219
\n<\/strong><\/p>\n

11. Kyathoi (F.W.)\u00a0\u00a0\u00a0221
\n<\/strong><\/p>\n

12. Kotylai (F.W.)\u00a0 \u00a0222
\n<\/strong><\/p>\n

 <\/p>\n

13. Coppe\u00a0(F.W. e J.C.)\u00a0\u00a0\u00a0242
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 Gruppo I: Skyphoi della classe di Thapsos\u00a0\u00a0\u00a0242
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 Gruppo II: Coppe protocorinzie\u00a0 \u00a0245
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 Gruppo III: Coppe miniaturistiche senza orlo\u00a0 \u00a0253
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 Gruppo IV: Coppe (cd. uccelli) con orlo distinto e decorazione figurata\u00a0 \u00a0254
\n<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Appendice di Alan w. Johnston\u00a0\u00a0\u00a0255
\n<\/strong><\/p>\n

 <\/p>\n

14. Phialai (F.W.)\u00a0 \u00a0256
\n<\/strong><\/p>\n

15. Piatti (F.W. e J.C.)\u00a0 \u00a0258
\n<\/strong><\/p>\n

16. Exaleiptra (F.W.)\u00a0 \u00a0264<\/strong><\/p>\n

17. Kalathiskoi\u00a0(F.W.)\u00a0\u00a0\u00a0266
\n<\/strong><\/p>\n

18. Vasi plastici (F.W.)\u00a0\u00a0\u00a0267<\/strong><\/p>\n

19. Varia (F.W.)\u00a0 \u00a0269<\/strong><\/p>\n

 <\/p>\n

II. CERAMICA ATTICA, LACONICA, PONTICA, ARGIVA MONOCROMA E AFFINE
\ndi Lilian Raselli\u2013Nydegger<\/p>\n

1. Ceramica attica\u00a0 \u00a0273<\/strong><\/p>\n

2. Ceramica laconica\u00a0\u00a0 281
\n<\/strong><\/p>\n

3. Ceramica pontica\u00a0\u00a0\u00a0283
\n<\/strong><\/p>\n

4. Ceramica argiva monocroma\u00a0 \u00a0283
\n<\/strong><\/p>\n

5. Varia\u00a0 \u00a0284<\/strong><\/p>\n

Tabula gratulationis\u00a0\u00a0\u00a0287<\/strong><\/p>\n

Abbreviazioni bibliografiche\u00a0 \u00a0289
\n<\/strong><\/p>\n

 <\/p>\n

Abstract<\/a>\u00a0\u00a0\u00a0297<\/strong><\/p>\n","comment_info":"No Comments","_links":{"self":[{"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/posts\/3662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3662"}],"version-history":[{"count":7,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/posts\/3662\/revisions"}],"predecessor-version":[{"id":11478,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/posts\/3662\/revisions\/11478"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/media\/10511"}],"wp:attachment":[{"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}