{"id":4416,"date":"2023-04-28T12:27:38","date_gmt":"2023-04-28T10:27:38","guid":{"rendered":"http:\/\/bollettinodarte.cultura.gov.it\/?p=4416"},"modified":"2023-09-19T12:41:08","modified_gmt":"2023-09-19T10:41:08","slug":"fiamminghi-a-roma-1508-1608-atti-del-convegno-internazionale-bruxelles-1995-supplemento-al-n-100-1997-2","status":"publish","type":"post","link":"https:\/\/bollettinodarte.cultura.gov.it\/?p=4416","title":{"rendered":"1997 – Fiamminghi A Roma 1508-1608. Atti Del Convegno Internazionale, Bruxelles 1995 (Supplemento Al N. 100)"},"content":{"rendered":"
Copertina<\/a>
\nOrganigramma e Sommario<\/a><\/div>\n
Introduzione<\/a>\u00a0di Nicole Dacos\u00a0\u00a0\u00a0\u00a0<\/strong>VII<\/strong>
\nIntroduction<\/a>\u00a0par Nicole Dacos\u00a0\u00a0\u00a0\u00a0XI<\/strong><\/p>\n
Modelli italiani nel Nord
\nNicole Dacos<\/a>: Cartons et dessins rapha\u00e9lesques \u00e0 Bruxelles:
\nl\u2019action de Rome aux Pays\u2013Bas\u00a0 \u00a01<\/strong><\/p>\n
Sulla via di Roma
\nMaria Teresa Caracciolo<\/a>: Le voyage \u00e0 Rome du temps des \u201cFiamminghi\u201d:
\nla route fran\u00e7aise et l\u2019\u00e9tape \u00e0 Lyon\u00a0\u00a0\u00a023<\/strong>
\nElena Parma<\/a>: Rapporti artistici tra Genova e le Fiandre nella prima met\u00e0 del Cinquecento\u00a0 \u00a041<\/strong>
\nCatherine Monbeig Goguel<\/a>: Sur le chemin de Rome. Le r\u00f4le de Vasari et l\u2019\u00e9tape florentine\u00a0\u00a0\u00a063
\n<\/strong>Giovanna Sapori<\/a>: Pittori fiamminghi da Roma in Umbria\u00a0\u00a0\u00a077
\n<\/strong>Dominique Allart<\/a>: Sur la piste de Bruegel en Italie: les pi\u00e8ces de l\u2019enqu\u00eate\u00a0\u00a0\u00a093<\/strong><\/p>\n
Fiamminghi a Roma
\nMolly Faries<\/a>: Jan Van Scorel\u2019s Clerical Patronage\u00a0 \u00a0107
\n<\/strong>Bert W. Meijer<\/a>: \u201cFiamminghi a Roma\u201d: on the Years after 1550\u00a0\u00a0\u00a0117
\n<\/strong>Eva Jana \u0160irok\u00e1<\/a>: Hans Speckaert as a Draughtsman and a Teacher\u00a0\u00a0\u00a0133
\n<\/strong>Wouter Th. Kloek<\/a>: Hans Speckaert and the Many Copies after his Drawings\u00a0\u00a0\u00a0149
\n<\/strong>Willy Laureyssens<\/a>: Dessins de Hendrick De Clerck \u00e0 Rome et ses environs\u00a0\u00a0\u00a0161
\n<\/strong>Maria Rosaria Nappi<\/a>: Il viaggio in Italia di Sebastiaen Vrancx\u00a0 \u00a0171
\n<\/strong>Kristina Herrmann Fiore<\/a>:<\/strong>\u00a0Osservazioni sulle marine di Paul Bril\u00a0\u00a0\u00a0191<\/strong><\/p>\n
Influssi italiani sull\u2019architettura del Nord
\nKrista De Jonge<\/a>: \u201cFiamminghi a Roma\u201d. Influences romaines sur l\u2019architecture Renaissance
\ndes anciens Pays\u2013Bas: l\u2019\u00e9tat de la question\u00a0\u00a0\u00a0\u00a0201<\/strong><\/p>\n
Il tramite delle stampe
\nEvelina Borea<\/a>: Roma 1565 \u2013 1578: intorno a Cornelis Cort\u00a0\u00a0\u00a0\u00a0215<\/strong><\/p>\n
<\/div>\n
Tra le Fiandre e Roma
\nSylvie B\u00e9guin<\/a>: Quelques remarques \u00e0 propos des \u00e9changes
\nentre la Flandre, Rome, Fontainebleau et Paris\u00a0\u00a0\u00a0\u00a0231
\n<\/strong>Paola Pacht Bassani<\/a>: L\u2019art \u00e0 l\u2019\u00e9poque d\u2019Henri IV, entre Flandre et Italie\u00a0\u00a0\u00a0\u00a0247
\n<\/strong>V\u00edtor Serr\u00e3o<\/a>: La peinture mani\u00e9riste portugaise, entre la Flandre et Rome\u00a0\u00a0\u00a0\u00a0263<\/strong><\/p>\n
<\/div>\n
La cultura dei trattati
\nSylvie Deswarte\u2013Rosa:<\/a>\u00a0<\/strong>\u201cSi dipinge col cervello et non con le mani\u201d. Italie et Flandres\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0277
\n<\/strong>Thomas DaCosta Kaufmann<\/a>: Reading Van Mander on the Reception of Rome:
\na Crux in the Biography of Spranger in the Schilder\u2013Boeck\u00a0\u00a0\u00a0\u00a0295<\/strong>
\nIndice degli artisti e delle persone<\/a>\u00a0 \u00a0305
\n<\/strong>Condizioni e prezzi<\/a>In copertina: Liegi, H\u00f4tel de Bochholtz (Banque Paribas)
\nMaestro di Paolo e Barnaba: Adorazione dei Magi (particolare)<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Copertina Organigramma e Sommario Introduzione\u00a0di Nicole Dacos\u00a0\u00a0\u00a0\u00a0VII Introduction\u00a0par Nicole Dacos\u00a0\u00a0\u00a0\u00a0XI Modelli italiani nel Nord Nicole Dacos: Cartons et dessins rapha\u00e9lesques \u00e0 Bruxelles: l\u2019action de Rome aux Pays\u2013Bas\u00a0 \u00a01 Sulla via di Roma Maria Teresa Caracciolo: Le voyage \u00e0 Rome du temps des \u201cFiamminghi\u201d: la route fran\u00e7aise et l\u2019\u00e9tape \u00e0 Lyon\u00a0\u00a0\u00a023 Elena Parma: Rapporti artistici tra Genova e le Fiandre nella prima met\u00e0 del Cinquecento\u00a0 \u00a041 Catherine Monbeig Goguel: Sur le chemin de Rome.<\/p>\n","protected":false},"author":1,"featured_media":937,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1515,975,64],"tags":[1541,1550,773,1538,834,1554,1549,1553,1542,1548,1545,1546,1543,1540,1547,1551,1539,1355,1552,1544],"class_list":["post-4416","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1515","category-serie-vi","category-supplementi","tag-allart-dominique","tag-beguin-sylvie","tag-borea-evelina","tag-caracciolo-maria-teresa","tag-dacos-nicole","tag-dacosta-kaufmann-thomas","tag-de-jonge-krista","tag-deswarte-rosa-sylvie","tag-faries-molly","tag-herrmann-fiore-kristina","tag-kloek-wouter-th","tag-laureyssens-willy","tag-meijer-bert-w","tag-monbeig-gogue-catherine","tag-nappi-maria-rosaria","tag-pacht-bassani-paola","tag-parma-elena","tag-sapori-giovanna","tag-serrao-vitor","tag-siroka-eva-jana"],"featured_image_src":"https:\/\/bollettinodarte.cultura.gov.it\/wp-content\/uploads\/2022\/10\/1208778655224_fiamminghi_a_roma_1508-1608-392x400.jpg","featured_image_src_square":"https:\/\/bollettinodarte.cultura.gov.it\/wp-content\/uploads\/2022\/10\/1208778655224_fiamminghi_a_roma_1508-1608.jpg","author_info":{"display_name":"bollettinodarte","author_link":"https:\/\/bollettinodarte.cultura.gov.it\/?author=1"},"category_info":"1997<\/a>,Serie VI<\/a>,Supplementi<\/a>","tags_info":"Allart Dominique<\/a>, B\u00e9guin Sylvie<\/a>, Borea Evelina<\/a>, Caracciolo Maria Teresa<\/a>, Dacos Nicole<\/a>, DaCosta Kaufmann Thomas<\/a>, De Jonge Krista<\/a>, Deswarte\u2013Rosa Sylvie<\/a>, Faries Molly<\/a>, Herrmann Fiore Kristina<\/a>, Kloek Wouter Th.<\/a>, Laureyssens Willy<\/a>, Meijer Bert W.<\/a>, Monbeig Gogue Catherine<\/a>, Nappi Maria Rosaria<\/a>, Pacht Bassani Paola<\/a>, Parma Elena<\/a>, Sapori Giovanna<\/a>, Serr\u00e3o V\u00edtor<\/a>, \u0160irok\u00e1 Eva Jana<\/a>","social_share_info":"<\/i><\/a><\/i><\/a>","wordExcerpt_info":"

Copertina<\/a>
\nOrganigramma e Sommario<\/a><\/div>\n
Introduzione<\/a>\u00a0di Nicole Dacos\u00a0\u00a0\u00a0\u00a0<\/strong>VII<\/strong>
\nIntroduction<\/a>\u00a0par Nicole Dacos\u00a0\u00a0\u00a0\u00a0XI<\/strong><\/p>\n
Modelli italiani nel Nord
\nNicole Dacos<\/a>: Cartons et dessins rapha\u00e9lesques \u00e0 Bruxelles:
\nl\u2019action de Rome aux Pays\u2013Bas\u00a0 \u00a01<\/strong><\/p>\n
Sulla via di Roma
\nMaria Teresa Caracciolo<\/a>: Le voyage \u00e0 Rome du temps des \u201cFiamminghi\u201d:
\nla route fran\u00e7aise et l\u2019\u00e9tape \u00e0 Lyon\u00a0\u00a0\u00a023<\/strong>
\nElena Parma<\/a>: Rapporti artistici tra Genova e le Fiandre nella prima met\u00e0 del Cinquecento\u00a0 \u00a041<\/strong>
\nCatherine Monbeig Goguel<\/a>: Sur le chemin de Rome. Le r\u00f4le de Vasari et l\u2019\u00e9tape florentine\u00a0\u00a0\u00a063
\n<\/strong>Giovanna Sapori<\/a>: Pittori fiamminghi da Roma in Umbria\u00a0\u00a0\u00a077
\n<\/strong>Dominique Allart<\/a>: Sur la piste de Bruegel en Italie: les pi\u00e8ces de l\u2019enqu\u00eate\u00a0\u00a0\u00a093<\/strong><\/p>\n
Fiamminghi a Roma
\nMolly Faries<\/a>: Jan Van Scorel\u2019s Clerical Patronage\u00a0 \u00a0107
\n<\/strong>Bert W. Meijer<\/a>: \u201cFiamminghi a Roma\u201d: on the Years after 1550\u00a0\u00a0\u00a0117
\n<\/strong>Eva Jana \u0160irok\u00e1<\/a>: Hans Speckaert as a Draughtsman and a Teacher\u00a0\u00a0\u00a0133
\n<\/strong>Wouter Th. Kloek<\/a>: Hans Speckaert and the Many Copies after his Drawings\u00a0\u00a0\u00a0149
\n<\/strong>Willy Laureyssens<\/a>: Dessins de Hendrick De Clerck \u00e0 Rome et ses environs\u00a0\u00a0\u00a0161
\n<\/strong>Maria Rosaria Nappi<\/a>: Il viaggio in Italia di Sebastiaen Vrancx\u00a0 \u00a0171
\n<\/strong>Kristina Herrmann Fiore<\/a>:<\/strong>\u00a0Osservazioni sulle marine di Paul Bril\u00a0\u00a0\u00a0191<\/strong><\/p>\n
Influssi italiani sull\u2019architettura del Nord
\nKrista De Jonge<\/a>: \u201cFiamminghi a Roma\u201d. Influences romaines sur l\u2019architecture Renaissance
\ndes anciens Pays\u2013Bas: l\u2019\u00e9tat de la question\u00a0\u00a0\u00a0\u00a0201<\/strong><\/p>\n
Il tramite delle stampe
\nEvelina Borea<\/a>: Roma 1565 \u2013 1578: intorno a Cornelis Cort\u00a0\u00a0\u00a0\u00a0215<\/strong><\/p>\n
<\/div>\n
Tra le Fiandre e Roma
\nSylvie B\u00e9guin<\/a>: Quelques remarques \u00e0 propos des \u00e9changes
\nentre la Flandre, Rome, Fontainebleau et Paris\u00a0\u00a0\u00a0\u00a0231
\n<\/strong>Paola Pacht Bassani<\/a>: L\u2019art \u00e0 l\u2019\u00e9poque d\u2019Henri IV, entre Flandre et Italie\u00a0\u00a0\u00a0\u00a0247
\n<\/strong>V\u00edtor Serr\u00e3o<\/a>: La peinture mani\u00e9riste portugaise, entre la Flandre et Rome\u00a0\u00a0\u00a0\u00a0263<\/strong><\/p>\n
<\/div>\n
La cultura dei trattati
\nSylvie Deswarte\u2013Rosa:<\/a>\u00a0<\/strong>\u201cSi dipinge col cervello et non con le mani\u201d. Italie et Flandres\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0277
\n<\/strong>Thomas DaCosta Kaufmann<\/a>: Reading Van Mander on the Reception of Rome:
\na Crux in the Biography of Spranger in the Schilder\u2013Boeck\u00a0\u00a0\u00a0\u00a0295<\/strong>
\nIndice degli artisti e delle persone<\/a>\u00a0 \u00a0305
\n<\/strong>Condizioni e prezzi<\/a>In copertina: Liegi, H\u00f4tel de Bochholtz (Banque Paribas)
\nMaestro di Paolo e Barnaba: Adorazione dei Magi (particolare)<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","comment_info":"No Comments","_links":{"self":[{"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/posts\/4416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4416"}],"version-history":[{"count":11,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/posts\/4416\/revisions"}],"predecessor-version":[{"id":11595,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/posts\/4416\/revisions\/11595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=\/wp\/v2\/media\/937"}],"wp:attachment":[{"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bollettinodarte.cultura.gov.it\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}